James Cameron reveals what almost cost DiCaprio his role in 'Titanic'

Movie director James Cameron tells GQ about his casting decisions for the film "Titanic," and how much money his big budget sequel to "Avatar" needs to earn to break even.

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How Phillip Schofield went from children’s TV star to ousted This Morning host

A look back at presenter’s career, which has taken a hit thanks to a series of damaging press stories Phillip Schofield’s biographer once described the TV presenter as the “hottest star in Britain today” with a “glorious, uplifting life story”. Schofield, they said, had “triumphed at everything he has done” enabling him to lead a life of “love and passion, weeping and laughter, death, tragedy, and heartstopping joy”. Those comments were written in 1992 by a young showbiz journalist called Piers Morgan, the author of a now out of print book entitled To Dream a Dream: the Amazing Life of Phillip Schofield. Three decades later both men are mainstays of British television. But while Morgan has built a persona as one of the country’s resident controversialists , Schofield built a career as the cheery face of light entertainment shows – a career that is now under threat thanks to a series of damaging press stories . Continue reading... source https://oto.oto-login.com/
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Asteroid City review – Wes Anderson’s 1950s sci-fi is an exhilarating triumph of pure style

This tale of earth-shattering events in a space-obsessed desert town leans nicely into its own artificiality, and every delicious, microscopic detail is a delight To say that he’s done it again – yet again – is going to mean something different to fans and non-fans. But I have to say the first category is the only place to be for what is simply a terrifically entertaining and lightly sophisticated new comedy from Wes Anderson, in his signature rectilinear, deadpan style, with primary-pastel colours and his all-star repertory ensemble cast. Regulars including Jason Schwartzman and Tilda Swinton are now joined by Scarlett Johansson and Tom Hanks, who have been welcomed into the droll Anderson fold. And the director emphatically proves that the YouTube pasticheurs are like Butlin’s Elvis impersonators: they’re not quite doing it. Asteroid City’s eccentricity, its elegance, its gaiety, and its sheer profusion of detail within the tableau frame make it such a pleasure. So, too, does its ...
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